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SYLVESTER - APRIL 19TH, 2004
Translated
from Swedish by Dias Lucia, provided by Hervé &
Rodolphe.
A
missing link between ABBA and Kraftwerk? BWO is here.
|
The
first single from BWO is getting released today,
a little pearl that's called "Living In A
Fantasy", Sylvester listened to it and
talked with Alexander Bard about the new band.
Music:
A group that's called Bodies without Organs. The
band members are Marina Schiptjenko, dressed in
a crazy vampire-witch costume, a deer-eyed young
person together with Alexander at the streaky
peak. Ironic glam a la Army of Lovers? Warning
like Vacuum? Not necessarily, you'll see. BWO,
whose first single "Living In A
Fantasy" is coming out today, April 19th,
are neither Army of Lovers nor Vacuum, they
sound like real synthpop. "Living In A
Fantasy is a glimmering little pop-pearl where
you know for sure, already after hearing just a
few verses, that Alexander and Marina made a big
discovery with the singer Martin.
Perhaps
it sounds so good because I want it so much to
be good. In times where the music business' view
of a rock-rebel is Markus Ohrm from Fame Factory
and a praised gay-ish band like Alcazar reduces
themselves to a dancefloor-act, at least for me,
there's an enormous need for new artists that
make new music. Not because they are better than
docu-soup-artists, but everything what has been
done within pop music before got so dreary. And
the best would be of course, if the Swedish
gay-world could produce a band that doesn't act
within the standardizes of the record companies.
That's why we took Scissor Sisters into our
hearts last spring.
Could
BWO be this band? That what Alcazar never
became and what a band with complete straight
aesthetics could never become? Not impossible at
all. We had a conversation with the
IT-guru/philosopher/popstar, gay-worlds answer
to Mr. Padda in Paddeborg, Alexander Bard, to
get to know what it is about G.
|
Hello
Alexander, you promised and swore that you're fed up
with pop-business and now you're here with a new group
and a new single "Living In A Fantasy". You
even dress yourself kind of crazy. What has happened?
I was really fed up with music business and wanted to
let it go, and try to make it in science and books,
and grow up. But not long time ago, I met Martin
Rolinski (singer of BWO), who impressed me with both,
his fantastic voice and his cool attitude in
everything, and an inspired new music publisher from
London - I got an offer for a focused co-operation
with my co-producer Anders Hansson, which I couldn't
resist, so I decided to put 100% in BWO. And that
means that there's only BWO, nothing else. I will for
example barely work again with artists like Alcazar.
Marina
and you are already well known, but who's the boy with
the come-to-bed-eyes, Martin Rolinski?
It was my co-producer, Anders Hansson, who met Martin
first. Martin was discovered just about one year ago.
He was singing for the first time in his life in a
karaoke bar in Göteborg, and soon the record
companies started to call him every now and then. But
he wasn't interested in the record company's predicted
suggestions of a solo career or different
boyband-constellations, he wanted to work with me and
Marina. That is more creative. After we reached an
agreement about what we'd like to do and that we all
like the same music, we just had to do it. Everything
was going like clockwork. I never have been so sure
and that much optimistic with any project as working
with BWO.
"Living
In A Fantasy" is like something you've done
before, but not as pretending as Vacuum was a little
bit, and not as ironic as Army of Lovers was. Is it
just a new sound and a new singer, or has Alexander
started making deary pop?
I have definitely started making deary pop. And today
I do it from the bottom of my heart. Army of Lovers
has been cool, but musically limited and Vacuum has
been too pretending, in my opinion. BWO is what I want
to do and the reason that I can say that I, for the
first time since 17 years, long for the studio - I go
there everyday. Maybe it sounds a little bit funny
that I say this for the first time, since I've worked
with music for 17 years, but that's the truth. Perhaps
I've never worked with my capacity in phase before,
but now I do so. I do that what I am good at and think
most of myself. Army of Lovers, Vacuum and also
Alcazar, as I produced them, sounded incomplete
compared to BWO. That is why I haven't finished with
music.
Does
BWO try to succeed worldwide or will you start on a
lower level and wait what happens?
We signed with EMI and they'll try to place us
directly onto the European market. We have a fantastic
support from EMI in Sweden, but we also travel
regularly to London and work with EMI Europe.
How
does the rest of the album sound?
Half of the 12 songs we are working on, which will be
mixed in the summer, are energized power-pop. The rest
is mid-tempo light music like "Living In A
Fantasy", and so you'll also find reggae and even
some electro-ballads. But everything ran from
electro-soundfiles from a laptop. BWO have a clear and
plain sound without guitars or drums, just strict
electronic sound. In contrast to Scissor Sisters for
example, to whom we are compared with in London, we
have pure electrosound. We're sounding more like
Erasure, Yello or Pet Shop Boys would sound like if
they'd debut today. I myself describe BWO with
pleasure as the missing link between ABBA and
Kraftwerk.
Who's
Slavoj Zizek?
A crazy but very interesting philosopher from
Slovenia. At the moment the superstar of the
philosopher-world. He has nearly five sides in his
latest book dedicated to my and Jan Söderqvist´s
philosophy books. Ironically, his latest book's called
"Organs Without Bodies". Last week I sent
him a photo of BWO with a big smile. A cool happening.
By the way, I hope I can write a third book next year.
Among other things inspired by Zizek. But at the
moment BWO is my priority! But perhaps I can write
that book on my laptop during the tour gigs?
What
gives you the biggest adrenalin-kick: Sitting at Solvalla
and spur on yours and Ulrich's horse, standing on
the scene with brand new pop material or sitting in
front of your computer and having a brilliant philosophical
idea?
Actually I get kicked, and that are the kicks that
urge me, within the things I do. Perhaps I get my
biggest kicks from private things, but we don't have
to speak about it here, or what...